ArtsAcoustic.CL.Series.v1.0.19 光电动态处理 (A 版)

软件大小:
114M

插件格式:
VST 32/64 bit

运行环境:
Win 7 Win 8 Win 10 MAC cubase Studio One FL Studio 12 SONAR X3

ArtAcoustic CL 系列由 3 个精确模拟建模的光电子动态处理器、名称 CL-1、CLMS-1 和 CLMS-1 XL 组成。它们基于 70 年代末至 80 年代中期使用的各种模拟光电二极管管式压缩机架构。插件领域还有其他几个压缩机/限制器，那么我们做动态插件的原因又是什么呢？答案很简单：声音。虽然很多压缩机/限制器声称给你真正的模拟声音，我们认为仍然有很大的改进空间。简而言之：在我们看来，它不是简单地在信号链中的一个位置添加一点饱和度来完成的。还有更多的方法。

那目标是什么？
我们的目的地是动态处理器套件，它为我们提供了我们所假定的真实模拟声音。当然，这是主观的。但是，在过去的25年里，我们每一台压缩机都能拿到手，我们觉得这种声音虽然对一些插件当然很好，但还不是我们所预认为的具有强烈个性的模拟声音。因此，在过去的1年半中，我们解剖了每一个罕见的模拟高端压缩机/限制器，我们拥有或可以得到我们的手（1176银板，dbx 160，谷人炸药，仅举几例）。开发压缩机，我们并没有停止只是模拟电路结构，但我们建模单位本身的关键部件（如晶体管，电阻器，电容器等），我们认为有必要，因为只有到那时，所需的效果发生。结果是一个算法，提供模拟电路的相同声音，以及所有美丽的副作用，我们喜欢从这些旧的，多彩的机器。在这个算法中，cl系列开始起世。我们的贡献是真正的音乐，模拟的声音到您的数字主机。

特征

中间/侧方法
在专业工作室中使用的混合/录制的中/侧技术，它提供了很多独特的可能性，您的混音可能受益于，引起了我们的注意，只是因为我们觉得它失去了几十年。因此，为了增强CL系列，我们添加了一种独特的但非常简单的方法，将中/侧技术与模拟建模算法相结合，在三个插件中的两个中/侧提供了可能性。挑战是给你所有必要的可能性的中/侧技术提供，但在同一时间死容易使用，即使新手用户。

差异
虽然许多压缩机只对一小部分材料令人满意地工作，但我们确实将注意力放在CL系列上，以便对将其插入的所有材料进行良好的工作。非常小心也花了你提供插件，听起来尽可能好，所有设置，您可以使用，无论是温柔或极端。此外，所有三个插件都具有负比（非常罕见）以及自动增益减少限制，这确保了伟大的结果，即使驱动非常硬。最后但并非最不重要的，CL系列的每个插件都具有通过为您提供干/湿混合来进行纽约风格压缩的可能性，因此您可以将音频挤出地狱，然后混合回原始信号，获得非常自然的整体活音。

cpu 使用率
阅读这一切，你可能会认为，CL系列使用大量的cpu，但它没有。我们煞费苦心地优化了汇编器中的算法，使插件吃到绝对最小cpu。虽然 cpu 每一代都变快了，但我们仍然认为，保持 cpu 使用率尽可能低是绝对优先的，这样您就不必担心有足够的能力运行这些插件，以达到任何您需要它们的程度。

The ArtsAcoustic CL Series is a bundle of 3 accurateley analog-modelled photoelectronic dynamic processors, nameley CL-1, CLMS-1 and CLMS-1 XL. Theyre based on various analog optoelectronic diode tube compressor schematas used during the late 70s up to the mid 80s. There are several other compressor/limiters out in the plugin realm, so what was the reason for us to do dynamic plugins, too? The answer is simple: the sound. While a lot of compressor/limiters claim to give you the true analog sound, we think that there is still room for a lot of improvement. In short: in our opinion its not done by simply adding a bit of saturation at one place in the signal chain. There`s way more to it.

So what was the goal?
Our destination was a dynamics processor suite that gives us what we precieve as true analog sound. Of course thats subjective. But spending the last 25 years with every compressor we possibly could get our hands at, we felt that the sound, while certainly good on some plugins, still isnt what we precieve as analog sound with strong character. So through the last 1 1/2 years weve dissected every rare analog high end compressor/limiter we own or could get our hands on (1176 silverplate, dbx 160, valleypeople dynamite, to name a few). Developing the compressors, we didnt stop at just emulating the circuit structure, but we modeled the crucial parts of the units themself (such as transistors, resistors, capacitors, etc), where we felt it was necessary, as only then the desired effects take place. The result is an algorithm that provides the same sound of an analog circuit, along with all beautiful side effects we love from those old, colourful machines. Out of this algorithm the cl series came to life. It is our contribution to get truly musical, analog sound into your digital hosts.

Features

the mid/side approach
the mid/side techniques in mixing/recording used in professional studios, which provides a lot of unique possibilities your mix could benefit from, caught our attention, simply because we felt it got kind of lost during the decades. so, in order to enhance the CL Series, we`ve added a unique, but very easy way to combine the mid/side technique with the analog modeling algorithm, providing the mid/side possibilities within two of the three plugins. the challenge was to give you all the necessary possibilities the mid/side technique provides, but at the same time to be dead easy to use, even for a novice user.

differences
while a lot of compressors work satisfyingly on only a fraction of material, we did put the focus on the CL Series to work well on all material you plug them onto. great care has also been spent to provide you with plugins that sound as good as possible with all settings you might use, be it gentle or extreme. also all three plugins feature negative ratio (very rare) as well as automatic gain reduction limiting, which ensures great results even when driven very hard. last but not least, every plugin of the CL Series features the possibility to do NY style compression by providing you with a dry/wet mix, so you can squash the hell out of your audio, then mix back the original signal for a very natural overall alive sound.

cpu usage
reading all this you might think that the CL Series uses a lot of cpu, but it does not. we have painstakingly optimized the algorithm in assembler, so that the plugins eat the absolute minimum cpu. while cpu`s get faster with every generation, we still think it is an absolute priority to keep the cpu usage as low as can be, so that you never have to worry about having enough power to run these plugins to whatever extent you might need them.